Washington, District of Columbia October 20 - 22, 2017

Winners Coming Soon

Our judges are currently deliberating on the 2017 winners. Awards will be determined for a number of categories, including Best Film, which will go on to represent Washington, DC at Filmapalooza and vie for Best 48HFP Film of 2017.

Required Elements

  • Character: Pat or Patricia Nelson, paid driver
  • Prop: spoon
  • Line: "That's why I came."

Screening Groups

Group A Monday, October 30, 2017 @ 9:15pm

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Listed alphabetically, not by screening order

  • Bitcoin Accepted Nicholas Lyell
  • DC Dogs Jonathan Zuck
  • Discordian Films Joe Dzikiewicz
  • Electric Manatee Pictures David Bartell
  • Ordinary Man Productions Andrew Epsilantis
  • Rebel Alliance Film Coalition Richard Brown
  • Rosemary’s Ladies Michelle Hernandez
  • The Edge of Edgy Johnathan Newport
  • Ugly Susans Sima Jafari

Group B Tuesday, October 31, 2017 @ 7:00pm

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Listed alphabetically, not by screening order

  • CHELSEA's CLUMP Chelsea Thaler
  • Cinema Murcielago Richard Benjumea
  • Crash of Rhinos Nan Ficca
  • Lofton Films John Lofton IV
  • Plan R Films Ian D'Amelia
  • Poor Bastard Productions Coleman Lowndes
  • PrePreProductions Nan Ficca
  • Shannondoah Films Shannon Washington
  • Tohubohu Productions William Coughlan
  • We Have This! Sarah Olscamp

Group C Tuesday, October 31, 2017 @ 9:15pm

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Listed alphabetically, not by screening order

  • Crowded Elevator Pictures Tony Lazzeroni
  • DC Stunt Coalition Dylan Hintz
  • Krewski James Pope
  • Liberated Muse Arts Group Khadijah Ali-Coleman
  • Mirandum Pictures Michael Powell
  • Resourceful Films Samantha Williams
  • Shooter 6ix Dallas Hanson
  • Shrug Productions Erica Rowe
  • Snarly Beast Jose B Torres Medina
  • Too Much Damn (TMD) Theater Dara Gold

DC is the birthplace of the 48HFP!

In May of 2001, Mark Ruppert (Creator/ Executive Producer), Liz Langston (Co-Founder/ Executive Producer) and Christina Ruppert (Director of Operations) were all part of the team The Big Ouch. It was one of 10 teams in the inaugural 48 Hour Film Project and the required prop was a severed body part.

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